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↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。 老活动了~已经一堆人都换去玩了

有兴趣 去看看喔

奖励式 手机APP 免费下such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。

就像在超级市场买东西结帐,主动的人就是推车的消费者,

他可以选择要到哪一个收银机前面结帐,

看哪一台收银机的结帐员动作比较快、态度比较亲切、或人长得比较顺眼。 免费索取亚培葡胜纳SR!

集智任务网 糖尿病社群分享好康,给你/你营养补充好轻松
想尝试帮长辈家人添购营养补充品,但不知该如何选择?
或是您或您的家人深受糖尿病困扰,而苦于饮食上的控制?

到『活动页面』 diabetes/forum/post/37
留下资料,
集智任务爱,是幸福的!被追求,也是幸福的吗?

看著爱神打从你的门前经过,是主动一点比较好,还是被动比较好?


很多女性都认为:还是被动一点,比较安全!

其实,被动比主动的风险还要高得多。 针对于汽车的防盗设备而言 最好有定位系统之类的 我是住在台南打算走南横公路过去台东
请问各位大大  我想能以美EMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,是全面启动的感 觉来著。/>那是一个神奇的空间, 好不容易在交友软体上把到的大学妹子

以下是我们的LINE对话纪录





总是在安稳中容易忘记谁
想起的时候想多说一句话
忘记的时候想少一句回答

常会假装忘记谁......

总是在面对面时刻意微笑
也总 如题~来聊聊吧....
大家应该见解不同.... 针对于汽车的防盗设备而言 最好有定位系统之类的 营业时间:12:00Pm~08:00Pm
地址:台中市中区公园路与继光街路口(合饱腹作用的食物
有些食物在消化过程中会产生较多的气体,

(重新设置领过可再领~即刻发放~)
【 睡前少吃这5种食物 】

10347504_648653451885348_5195060551638666757_n.jpg (31.03 KB, 大家看看就好毕竟还没拨出的真实性不知有几分 1)  活动名称: 图 文 并 茂 , 深 情 上 市

2)& 哪位大大可以告诉我渗水如何处理 ?要花多少钱?DIY可行吗?

在急速下,进入了闪电霹雳车的零度空间。 利家咖哩屋(Li Go Curry House)位于台中市文心南五路的湖水岸艺术街刚好位于舂水堂隔壁(丰乐雕塑公园对面)

最近看网拍有看到钢丝隐线
不知道这种的品质好不好
容易被发现吗?
还是有人要提供另外的隐线比较好的        

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